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Review of 'Atonement': Film Depicts Iraqi Civilian and US Marine Perspectives in Iraq War

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Atonement: A New Look at the Iraq War's Human Cost

"Ten years later, Lou, now dishonorably discharged and struggling with PTSD, seeks a meeting with the surviving family."

Key Details

  • The film 'Atonement', directed by Reed Van Dyk, premiered at the Cannes Film Festival (Directors' Fortnight).
  • It is based on Dexter Filkins' 2012 New Yorker article of the same name.
  • The narrative follows an Iraqi family, the Khachaturians, during the 2003 Iraq War and a US Marine, Lou D'Alessandro, over a decade.

Plot Summary

In the opening, three generations of the family shelter in a Baghdad house. A US military operation leads to the shooting deaths of three family members.

Ten years later, Lou, now dishonorably discharged and struggling with PTSD, seeks a meeting with the surviving family, now in Glendale, California, through journalist Michael Reid.

The family's matriarch, Mariam, agrees to meet Lou, leading to a tense exchange where she states they forgive him.

Background

  • The film diverges from typical American war movies by focusing on both US soldiers and Iraqi civilians.
  • It was adapted from a New Yorker article by Dexter Filkins, a combat journalist.
  • Director Reed Van Dyk is making his feature debut.

Cast

  • Hiam Abbass as Mariam Khachaturian
  • Boyd Holbrook as Lou D'Alessandro
  • Kenneth Branagh as Michael Reid
  • Gheed, Majd Eid, Yara Bakri, Amanda Warren

Critical Response

The review notes Abbass's performance as a highlight and praises the film's humanization of both sides of the conflict, while noting some script elements as ham-fisted.