John Brack x Noel McKenna: A Face in the Mirror

The National Portrait Gallery is currently hosting "John Brack x Noel McKenna: A face in the mirror," an exhibition showcasing works by Australian artists Noel McKenna and the late John Brack. The exhibition highlights connections between the two artists, despite their careers being separated by nearly 50 years.

Exhibition Overview

The exhibition, "John Brack x Noel McKenna: A face in the mirror," is on display at the National Portrait Gallery until July 19. It features a selection of works by John Brack, who was prominent in the 1950s until his death in 1999, and contemporary artist Noel McKenna.

Shared Artistic Focus

Exhibition co-curator Isobel Parker Philip has noted similarities in the artists' approaches. Both are described as observers who focus on urban and suburban life, drawing attention to subtle details. They also documented personal experiences, often appearing as onlookers or in reflections within their own artworks.

Noel McKenna, as quoted by Parker Philip, expressed the philosophy "it is ordinary to love the sublime, but sublime to love the ordinary," which is central to the exhibition's theme.

McKenna describes himself as an introvert, believing this trait aids his observational practice. He photographs animals, buildings, and everyday items to use as references for his paintings, often presenting subjects with a slightly altered or "out of kilter" perspective. McKenna has also stated the importance of observing the "real world" over digital screens, suggesting that screens can affect perception.

John Brack's Contributions

John Brack gained recognition in the 1950s for his social realism. His work frequently depicted the people and urban life of Melbourne. He is recognized as a significant 20th-century Australian artist, known for his influence on perceptions of Australian history through his art.

Noel McKenna's Works and Background

Noel McKenna's art frequently draws inspiration from animals, everyday objects, and small details. One notable work, titled "SELF," is a chronological graph representing his emotional life. Created when he was 55, this piece charts significant life events, including the presence and absence of pets and loved ones, exploring themes of love and loss through a data-like presentation. McKenna, now 69, is considering extending this work, noting his childhood dog, Stumpy, as an influence on his happiness index within "SELF."

McKenna's entry into the art world followed an unconventional path; he transitioned from architecture to art school after a lecturer advised him to pursue art due to his drawing style.

Exhibition Aims

The exhibition's stated aim is to encourage visitors to discover connections and "echoes" between Brack's and McKenna's works across time.

McKenna has expressed a hope that viewers will appreciate and find joy in their own everyday observations.